Three large screens and a lit truss over a centered stage in a dark arena, with beams of light overhead

Services

Stage design, AVL and production management.

MOSAICPRO is your one stop for stage design, AVL acquisition and production management. Our dedicated team collaborates with you to craft experiences around your vision, from corporate conferences to social gatherings, and handles every detail to ensure seamless execution.

Discipline 01 / 03

Creative & Design

The look of the room is decided before anything is built. Creative development, scenic design, renderings and CAD layouts turn an idea into drawings your team can approve.

A production desk on a stage lined with cyan light bars, with a large screen above
Stage render with a hexagonal light fixture, teal beams and magenta lighting
01

Creative Development

Every production starts with an idea worth building. Creative development turns your vision, audience and message into a clear direction: the concept, the look of the stage and the story the content will tell. It happens before drawings begin, so every later decision has something to point back to.

  • Concept and theme development
  • Visual direction and mood
  • Story and content planning
  • Creative review with your team

Who it’s for Conferences, awards shows, services and rallies that want a distinct look instead of a template.

Stage dressed in stars and angled gold-framed scenic towers around a podium
02

Scenic Design & Fabrication

Scenic elements give a stage its character: set pieces, risers, backdrops, framing and finishes. We design them to suit the creative and the room, then have them built to the approved drawings, so what the audience sees matches what was approved.

  • Scenic and set-piece design
  • Fabrication to approved drawings
  • Surfaces, finishes and lit edges
  • Delivery and install

Who it’s for Productions that need a custom stage, a branded environment or a set built for the moment.

Stage rendering of a ring of LED, light beams and red and blue screens above arena seating
03

Stage Renderings

A stage rendering shows the room before anything exists: the stage, screens, lighting and seating, seen from the audience’s point of view. Clients and leadership can respond to a picture, and changes happen on a drawing, not on site. If you like the render, you’ll love the reality.

  • Audience-view stage renderings
  • Lighting and screen looks
  • Revisions before anything is built
  • Visuals for sharing with your team

Who it’s for Anyone who needs to approve a design, build support for it or see it before committing.

A CAD layout of an arena stage and seating plan
04

CAD Layouts

CAD layouts are the technical drawings behind the design: where the stage, screens, trusses, seating and equipment go, and how the room flows around them. They keep every department working from the same plan and support sightline planning.

  • Space layouts and floor plans
  • Stage, screen and seating placement
  • Sightline planning
  • Drawings to share with venues and vendors

Who it’s for Venues, vendors and crews who need exact placement, and clients who need to know it will fit.

Discipline 02 / 03

Production & Execution

Staging, audio, video and lighting designed as one system, supported by technicians and crew who run it from load-in to the final cue.

Beams of light fanning over a dark arena with a wide screen above the stage
A wide arena stage with a lit truss grid, side screens and beams of light over rows of blue chairs
05

Full Staging & AVL Design

Staging, audio, video and lighting designed as one system, so the room looks and sounds the way the concept intended. We design the whole package around the creative and the venue, then specify and manage the AVL equipment needed to deliver it.

  • Stage and set design
  • Audio system design
  • Video and LED design
  • Lighting design
  • AVL equipment acquisition and management

Who it’s for Conferences, ballrooms, arenas and outdoor stages that need one team accountable for the full technical picture.

A stage with angled LED screens and haze lit in blue and red, set up before an empty hall of chairs
06

Technical Support & Management

Technical leadership from load-in through the final cue. Our technicians run and support the show’s audio, video and lighting, solve problems in the moment and keep the technical team working as one. We staff your event with the best person for the job.

  • Technical direction
  • Load-in, setup and strike
  • Show-day support
  • Coordination between departments

Who it’s for Clients without an in-house technical team, or teams that want an experienced lead on the room.

A camera operator in silhouette beside a blue-lit stage with glowing frames
07

Video Production

Video made for the screens and the room: the content that plays on stage and the live video that carries it to the audience. Everything is prepared to fit the stage’s screens, so it looks designed for the room and not adapted to it.

  • Content for stage screens
  • Live camera and switching
  • Playback and cueing
  • Coordination with the content plan

Who it’s for Events with large screens, live audiences and a message to deliver.

Road cases, lighting fixtures and truss laid out on an arena floor ahead of load-in, with curtains and red seating behind
08

Crew Logistics

The right people in the right place at the right time. We source, schedule and coordinate the technicians and crew for your event, handling call times, assignments and communication so the team arrives prepared.

  • Crew sourcing
  • Scheduling and call times
  • Role assignments
  • Day-of coordination

Who it’s for Productions that need a full technical team and one point of contact for it.

Discipline 03 / 03

Planning & Support

The unseen work that makes a show look easy: planning, content, budget, timeline, vendors and on-site coordination, all aimed at one run of show.

A gold-lit ballroom with a stage and screens set up in the middle of an empty hall
A ballroom stage with rectangular truss and lit screens before an empty room
09

Consulting

Experienced guidance at any stage of a project, from a first idea to a show already in motion. We review plans, answer technical and logistical questions, and give an honest opinion on what will work in your room.

  • Early-stage planning advice
  • Plan and design review
  • Venue and technical questions
  • Production approach and scope

Who it’s for Teams planning an event for the first time, or anyone who wants an expert second set of eyes.

Stage with large magenta and teal screens under rows of lights
10

Content Management

Organizing the content that runs on stage and screen: slides, videos, graphics and walk-in loops. We collect, format, check and order everything so it plays the way the run of show says it will.

  • Collecting presentation and media files
  • Formatting for the screens
  • Order and cueing
  • Checks before doors open

Who it’s for Conferences and services with many presenters and a lot of media.

A conference stage with a wide orange LED screen and tall red lit panels on either side of a podium
11

Project Management

One team keeping every moving part accountable. We track deliverables, deadlines and decisions across creative, technical and vendor teams, and report back so you always know where the production stands.

  • A single point of contact
  • Deliverables and deadlines
  • Decision tracking
  • Status updates

Who it’s for Clients who want to focus on their audience and message while we run the production.

A ballroom stage with beams of light fanning over screens and rows of empty chairs
12

Show Flow & Run of Show Development

The show, written cue by cue. A run of show lays out every moment (who speaks, what plays, how lights and cameras respond) so everyone knows their moment. We handle rehearsal scheduling and coordination so the team is prepared.

  • Cue-by-cue run of show
  • Show flow and timing
  • Content and crew assignments
  • Rehearsal scheduling and coordination

Who it’s for Awards shows, keynotes, concerts and services with many moving parts.

A stage with green beams of light and colorful graphic screens on a dark set
13

Vendor Coordination

Bringing vendors and departments together as one team: venue, audio, lighting, video, scenic and more. We communicate requirements, confirm schedules and keep everyone working from the same plan.

  • Requirements shared with each vendor
  • Schedule confirmation
  • Load-in coordination
  • One line of communication

Who it’s for Events with multiple vendors or venue requirements to manage.

A pink-curtained ballroom with wide LED screens, a lit stage and rows of seats
14

Budget Planning & Cost Management

Planning the budget and managing costs through delivery. No hidden fees and clear, itemized invoices: you will never be charged for something not previously agreed upon.

  • Itemized budgets
  • Cost tracking through delivery
  • Clear, itemized invoices
  • Agreement before any added cost

Who it’s for Clients who need to know what an event will take before they commit.

A vast empty exhibition hall at the start of load-in
15

Timeline Development

A clear schedule from first call to show day. We map the milestones, from design approvals and fabrication to equipment, load-in, rehearsal and the show itself, so every team knows what is due and when.

  • Milestone schedule
  • Design and approval dates
  • Load-in and rehearsal schedule
  • Show-day schedule

Who it’s for Projects with a fixed date and many teams to line up.

A video director at a switcher and monitor wall in the control room during a show
16

On-Site Coordination

Our people in the room, running the production day. From load-in to the final cue, we coordinate crew, vendors and venue, manage the run of show and solve problems as they appear, so that when the doors open you are ready.

  • Load-in to strike coordination
  • Run of show management
  • Crew and vendor direction
  • Client liaison on show day

Who it’s for Any production that needs a calm, experienced presence on site.

Process

From first call to show day.

From conception through completion, one team carries your production, so the idea on day one is the show on the last.

  1. 01

    First call

    Every project begins with a conversation. We learn the vision, the audience, the room and the goals, and tell you how we can help.

    • Consulting
    An empty convention hall before load-in, with lighting rigs overhead and equipment at the far end
  2. 02

    Creative development

    The idea becomes a direction: the concept, the look, and the content that will carry it.

    • Creative Development
    • Content Management
    A stage rendering with a star-patterned floor, red and blue lighting and angled LED
  3. 03

    Renderings & CAD

    Stage renderings and CAD layouts make the room visible long before load-in, so decisions are made on a drawing and not on site.

    • Stage Renderings
    • CAD Layouts
    A CAD layout of an arena stage and seating plan
  4. 04

    Staging & AVL design

    Staging, audio, video and lighting are designed together, as one system around the creative.

    • Full Staging & AVL Design
    A stage rendering of a ring-shaped truss over a wide LED stage and arena seating
  5. 05

    Fabrication

    Scenic elements are designed and built to the approved drawings.

    • Scenic Design & Fabrication
    Truss and scenic pieces assembled on the hall floor, with an LED wall in the distance
  6. 06

    Vendors, budget & timeline

    Vendors are coordinated, the budget is managed, and a timeline keeps every department moving together.

    • Vendor Coordination
    • Budget Planning & Cost Management
    • Timeline Development
    • Project Management
    A curved LED arch hung from rigging overhead during load-in
  7. 07

    Run of show

    The show is written down cue by cue, with its content and crew, and rehearsals are scheduled and coordinated so everyone knows their moment.

    • Show Flow & Run of Show Development
    • Crew Logistics
    • Video Production
    A technician behind a video switcher and monitors at the production desk during a 2025 show
  8. 08

    On-site & show day

    Our team is in the room, coordinating, managing technical support and keeping the show on its run of show from load-in to the final cue.

    • On-Site Coordination
    • Technical Support & Management
    A packed house facing a stage under a ring of LED, with red, white and blue screens and a camera crane

FAQ

Questions, answered.

Events, pricing, crew and location. Still have a question? Send it through the inquiry form.

What kinds of events do you produce?

We produce and design stages and shows for corporate conferences, awards shows, concerts and tours, worship and church events, civic and political events and social gatherings, as well as other productions that need stage design, AVL and production management.

Can I see the stage before it is built?

Yes. Stage renderings and CAD layouts make the room visible long before load-in, so decisions are made on a drawing and not on site. If you like the render, you’ll love the reality.

How do you handle pricing and invoices?

No hidden fees. Invoices are clear and itemized, and you will never be charged for something not previously agreed upon.

Do you provide the technicians and the equipment?

Yes. We handle AVL equipment acquisition and management, and we staff your event with the best person for each job, coordinating the crew from load-in through the final cue.

Who leads MOSAICPRO Collective?

MOSAICPRO Collective is led by Brad McCraw (Founder & CEO / Executive Producer), Andrew Knisley (President of Operations) and Jennie McCraw (Director of Client Relations / Stage Manager).

Where are you based?

MOSAICPRO Collective is based in Scottsdale, Arizona, and produces events across the country.

How do I start a project?

Use the inquiry form on our contact page. Tell us the event type, date, venue and the services you need, and we will come back to you by email.

Let’s plan your next production.

We want to support your next project. Tell us about it and we will take it from there.